February 6, 2023

Xmas albums 2017

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9 of 2017’s best albums to test your system this Christmas

By Simon Lucas From What Hi FI

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Give someone the gift of music this Christmas and you’ll be in their good books until next Christmas at the very earliest.

Struggling to find the perfect Christmas gift for the music lover in your life? You can’t go wrong with one of 2017’s best albums.

Whether you’re after wonky folk music, virtuoso jazz bass or one man’s mission to save hip-hop, we’ve got nine cracking albums that fit the bill as great Christmas gift ideas. Why not pick up one for yourself while you’re at it?

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Peasant – Richard Dawson

By rights a concept album about the lives of the inhabitants of a kingdom in the North of England during the early Middle Ages shouldn’t work. It shouldn’t even be allowed. So it’s to Richard Dawson’s considerable credit he doesn’t swerve the hey-nonny Chaucerisms and self-regarding prog-rock nonsenses Peasant seems made for so much as trample over them. Yes, there are some awkward chord progressions, some arcane melodies and some tetherings of goats to carts – but grit your teeth and bear it. There are ample rewards to be had.

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DAMN. – Kendrick Lamar

Being the poster boy for the Future of Hip-Hop evidently doesn’t sit well with Kendrick Lamar, not if his lyrical preoccupations on DAMN. are anything to go by. And yet he just can’t help himself. Putting an original slant on a genre that has spent the last decade slowly and ostentatiously low-riding down a cul-de-sac is no mean feat, and to do it twice in the space of two years is little short of astonishing. Deeply personal yet wide-ranging at the same time, DAMN. is the sound of intelligence and creativity overflowing for no other reason than it simply has to.

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A Black Mile to the Surface – Manchester Orchestra

It’s no easy thing to be passionate, committed and sincere without sounding worthy and po-faced – it’s a fine line but Manchester Orchestra tread it confidently. This fifth studio album finds the band continuing to mine that particular seam labelled “American Earnest” more deeply than ever – multi-layered vocals butt against tasteful bass/guitar/drums arrangements with the occasional keyboard fill and electronics pad for contrast. The world’s not short of wide-eyed vendors of unironic heart-on-sleeve confections, but as an example of the mature art Manchester Orchestra take some beating.

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Every Country’s Sun – Mogwai

Time was the Mogwai sound was a unique and startling proposition. Nine albums in, though, you know exactly what you’re getting here – and that’s just fine with us. Some of these pieces are songs, some are tunes and some are exercises in dynamic tolerances, but all of them describe a band still in love with texture and sonic potential. In places a little bit motorik, in places a little bit Jean-Michel Jarre, Every Country’s Sun has the strength to wear its influences lightly and to create a language of its own. Plus on Party In The Dark it has the nearest thing to a pop song Mogwai have yet delivered.

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Orc – Oh Sees

Another year, another Oh Sees album (including another change of line-up and of name). Ever-reliable despite the constant upheavals and staggering productivity, Oh Sees’ latest is the usual winning melange of psych-, punk- and stoner-rock leavened by some prettiness (particularly in Keys To The Castle and Jettisoned). If you like your off-kilter garage thrash inventive, melodic, smelling of cigarettes and housed in reliably awful artwork, Oh Sees prove (for the nineteenth time in twenty years) to have exactly what you need.

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Slowdive – Slowdive

Just like the last 22 years never happened, Slowdive slip out a new LP – and not only is their best, it’s one of the very best albums of the year. On the surface little has changed in the last two decades – the Slowdive sound is still dream-like and foggy, slurred and bottomless. But there’s greater urgency here than before, a greater sense of scale – and the familiarity of the sound doesn’t prevent it from communicating new ideas or beliefs. One of the few bands capable of being vast and intimate all at the same time, Slowdive are the most unlikely of elder statesfolks.

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World of the Waking State – Steffi

At first acquaintance World of the Waking State may seem straightforward. Simple, even. But let its elegant, streamlined electronic language, at once calm yet restless, wash over you and it becomes obvious Steffi is full of ideas – she just doesn’t shine a big bright spotlight on each and every one of them is all. Once the tumblers fall into place and the door to World of the Waking State is opened, the spacious precision of its sound and the judiciousness of its construction make it an album that reveals a little more about itself with every listen.

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Masseduction – St. Vincent

Mainstream success and critical acclaim seldom go hand in hand. It’s to Annie ‘St. Vincent’ Clark’s immeasurable credit that the combination isn’t the most remarkable thing about Masseduction. Beneath the pointlessly provocative sleeve her 80s influences sound uncontrived, her melodies sound effortless, and her restless inventiveness makes these songs and their arrangements sound like she dipped into her back pocket and extracted them fully formed. Have a listen to Los Ageless and you’ll know exactly what we mean.

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Drunk – Thundercat

One person’s ‘virtuoso’ is another’s ‘massive show-off’ – and Drunk is certain to establish which of these people you are. Bass virtuoso/show-off Stephen Bruner (for it is he) has been working and recording since the age of 15 and has been the go-to guy for artists as diverse as Kendrick Lamar, Flying Lotus and Suicidal Tendencies. For his third solo album he enlisted luminaries like Michael McDonald and Pharrell Williams, and turned in a record of such smooth peculiarity that the description ‘jazz’ is altogether too tentative. Drunk is unlike anything else 2017 has to offer.

For more on this story go to https://www.whathifi.com/features/9-2017s-best-albums-to-test-your-system-christmas#fvH8YUeSQmR5v7rw.99

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